"Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni)" by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker was released on October 31, 1988. With this song being about 5 minutes long, at 4:40, "Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni)" by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 17 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527: Tra quest'arbori celata | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Malcolm King, Lorin Maazel | F Major | 2 | 7B | 169 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Verdi: Aida, Act 1:" Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | ||
Madama Butterfly / Act 2: Scuoti quella fronda di ciliegio | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 181 BPM | ||
Don Giovanni, K. 527: Ah taci, ingiusto core! | Wolfgang Amadeus Mozart, Kiri Te Kanawa, José van Dam, Ruggero Raimondi, Lorin Maazel | A Major | 2 | 11B | 75 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
La Cenerentola / Act 1: "Ora sono da voi" | Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 101 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 1: "Du feines Täubchen, nur herein!" (Monostatos, Pamina, Papageno) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 1 | 9B | 79 BPM |
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