Don Giovanni, K. 527: Tra quest'arbori celata
Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Malcolm King, Lorin Maazel
Mozart: Don Giovanni, K. 527
2:21 1979
BPM
169
Key
F Major
Camelot
7B

Embed

Share Link

Don Giovanni, K. 527: Tra quest'arbori celata - Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Malcolm King, Lorin Maazel Information

Acousticness
99%
Danceability
29%
Energy
17%
Instrumentalness
0%
Liveness
9%
Loudness
71%
Speechiness
5%
Valence
34%
Popularity
Loudness
-17.311 dB

Summary

Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Malcolm King, Lorin Maazel's 'Don Giovanni, K. 527: Tra quest'arbori celata' came out on 1979. The duration of Don Giovanni, K. 527: Tra quest'arbori celata is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Don Giovanni, K. 527: Tra quest'arbori celata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Lorin Maazel's "Mozart: Don Giovanni, K. 527" album is number 8 out of 71. The popularity of Don Giovanni, K. 527: Tra quest'arbori celata is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, K. 527: Tra quest'arbori celata BPM

We consider the tempo marking of Don Giovanni, K. 527: Tra quest'arbori celata by Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Malcolm King, Lorin Maazel to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Don Giovanni, K. 527: Tra quest'arbori celata Key

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro by Tomaso Albinoni, I MusiciConcerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. AllegroTomaso Albinoni, I MusiciB♭ Major26B107 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 by Carl Maria von Weber, Ensemble 3 MouvementsDivertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38Carl Maria von Weber, Ensemble 3 MouvementsG Major09B119 BPM
Le Carnaval des Animaux, R.125: 4. Tortues by Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitLe Carnaval des Animaux, R.125: 4. TortuesCamille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles DutoitB♭ Major06B83 BPM
Sinfonia in D Major, BWV 1045: I. Allegro by Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlSinfonia in D Major, BWV 1045: I. AllegroJohann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlD Major310B98 BPM
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau by Johann Sebastian Bach, Hilary HahnViolin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeauJohann Sebastian Bach, Hilary HahnE Major112B112 BPM
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto by Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyPiano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenutoFelix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyB♭ Major06B131 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausCanon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausD Major110B83 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo by Georges Bizet, Seiji Ozawa, Orchestre National De FranceBizet / Arr. Guiraud: Carmen Suite No. 1: III. IntermezzoGeorges Bizet, Seiji Ozawa, Orchestre National De FranceE♭ Major05B74 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.596050500869751

End: 0.600388765335083