- BPM
- 101
- Key
- C Major
- Camelot
- 8B
La Cenerentola / Act 1: "Ora sono da voi" - Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information
- Acousticness
- 98%
- Danceability
- 35%
- Energy
- 24%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 23%
- Popularity
- 2%
- Loudness
- -15.256 dB
Summary
Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 1: "Ora sono da voi"' came out on January 1, 1993. With La Cenerentola / Act 1: "Ora sono da voi" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La Cenerentola / Act 1: "Ora sono da voi" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Cenerentola / Act 1: "Ora sono da voi" BPM
With La Cenerentola / Act 1: "Ora sono da voi" by Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
La Cenerentola / Act 1: "Ora sono da voi" Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Otello / Act 3: "Quest'è il segnale" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 81 BPM | |
 | Le nozze di Figaro, K.492 / Act 2: “Signore! Cos’è quel stupore?” | Wolfgang Amadeus Mozart, Christiane Karg, Thomas Hampson, Sonya Yoncheva, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 141 BPM | |
 | La Sonnambula / Act 1: Io più di tutti, o Amina, teco mi allegro | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Peter Kalman, Liliana Nikiteanu, Javier Camarena, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | F Major | 1 | 7B | 107 BPM | |
 | I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Konstantin Wolff, Mojca Erdmann, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | A Major | 1 | 11B | 107 BPM | |
 | Puccini: Tosca, Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | |
 | Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | |
 | Macbeth / Act III: Finché appeli | Giuseppe Verdi, Maria Fausta Gallamini, Piero Cappuccilli, Alfredo Giacomotti, Massimo Bortolotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 1 | 9B | 75 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
 | 'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM |
- ISRC
- GBF079241718
- Label
- L-M Records/RCA Records
Section: 0.7353196144104004
End: 0.7386093139648438