"Strauss, R: 4 Lieder, Op. 36: No. 1, Das Rosenband (Version with Orchestra)" by Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra was released on 1997. The duration of Strauss, R: 4 Lieder, Op. 36: No. 1, Das Rosenband (Version with Orchestra) is about 3 minutes long, at 3:17. Based on our data, "Strauss, R: 4 Lieder, Op. 36: No. 1, Das Rosenband (Version with Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "R. Strauss: Four Last Songs". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: 4 Lieder, Op. 36: No. 1, Das Rosenband (Version with Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 4 Lieder, Op. 36: No. 1, Das Rosenband (Version with Orchestra) by Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Romanze in F Major, TrV 118: Romance for Cello and Orchestra | Richard Strauss, Alexander Rudin, RTÉ National Symphony Orchestra, Gerhard Markson | C Major | 1 | 8B | 91 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM |
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