"Escenas argentinas: No. 2. El arroyo: Placidamente - Mas lento - Poco piu moto - Lo stesso movimento lento - Lento - Allegro vivace" by Carlos López Buchardo, Entre Rios Symphony Orchestra, Gabriel Castagna was released on June 1, 2004. Since Escenas argentinas: No. 2. El arroyo: Placidamente - Mas lento - Poco piu moto - Lo stesso movimento lento - Lento - Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Buchardo / Aguirre / Piazzolla / Gianneo / Guastavino / Giudice: Orchestral Works by Gabriel Castagna. In terms of popularity, Escenas argentinas: No. 2. El arroyo: Placidamente - Mas lento - Poco piu moto - Lo stesso movimento lento - Lento - Allegro vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Escenas argentinas: No. 2. El arroyo: Placidamente - Mas lento - Poco piu moto - Lo stesso movimento lento - Lento - Allegro vivace by Carlos López Buchardo, Entre Rios Symphony Orchestra, Gabriel Castagna is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Preludes, Op. 22: No. 4 in B Minor, Andantino | Alexander Scriabin, Dmitry Rachmanov | A♭ Minor | 1 | 1A | 69 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself | John Adams, Los Angeles Philharmonic, Julia Bullock | A Major | 0 | 11B | 79 BPM | ||
Porgy and Bess: My Man’s Gone Now (Arr. for Violin and Piano by Heifetz) | George Gershwin, 대니 구(Danny Koo) | B Minor | 3 | 10A | 80 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM | ||
Nocturno | Carlos López Buchardo, JUAN RODO | F♯ Major | 3 | 2B | 86 BPM | ||
In the Moonlight | Heino Eller, Andres Kaljuste, Sophia Rahman | E Major | 1 | 12B | 131 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Staccato Sonata | Markolyno | D Minor | 0 | 7A | 64 BPM |
Section: 0.6723713874816895
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