Claudio Monteverdi, Alessandro Carmignani, Marco Scavazza, Walter Testolin, Delitiæ Musicæ, Marco Longhini made "Combattimento di Tancredi e Clorinda, SV 153: Rispose la feroce" available on May 12, 2017. With Combattimento di Tancredi e Clorinda, SV 153: Rispose la feroce being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi: Madrigals, Book 8" album is number 11 out of 85. On top of that, Hong Kong appears to be the country where this track was created. Combattimento di Tancredi e Clorinda, SV 153: Rispose la feroce is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Combattimento di Tancredi e Clorinda, SV 153: Rispose la feroce by Claudio Monteverdi, Alessandro Carmignani, Marco Scavazza, Walter Testolin, Delitiæ Musicæ, Marco Longhini to be Grave (very slow) because the track has a tempo of 32 BPM, a half-time of 16BPM, and a double-time of 64 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Entrée - Air pour les Paysans et Paysanes | Jean-Baptiste Lully, Andrew Lawrence-King | C Major | 0 | 8B | 68 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Chiome d'oro | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | F Major | 3 | 7B | 171 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Toccata | Claudio Monteverdi, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Major | 3 | 5B | 133 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM |
Section: 0.6663017272949219
End: 0.6695871353149414