Jean-Baptiste Lully, Andrew Lawrence-King's 'Entrée - Air pour les Paysans et Paysanes' came out on March 13, 2007. With Entrée - Air pour les Paysans et Paysanes being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 23 in Chorégraphie - Music for Louis XIV's dancing masters by Andrew Lawrence-King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Entrée - Air pour les Paysans et Paysanes is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Entrée - Air pour les Paysans et Paysanes by Jean-Baptiste Lully, Andrew Lawrence-King is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Amadis Opera In 5 Acts With Prologue / Prologue: Esprits empressés à nous plaire | Jean-Baptiste Lully, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | F♯ Minor | 3 | 11A | 81 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | ||
Miserere mei Deus (Psaume 50) | Gregorio Allegri, Alexis Kossenko, Les Ambassadeurs | G Minor | 1 | 6A | 79 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Obsecro Te | Josquin des Prez, Ariel Abramovich, Lee Santana | C Minor | 0 | 5A | 86 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | E Minor | 1 | 9A | 119 BPM |
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