Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips made "GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra" available on September 25, 2020. The duration of GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra and no other songs are present in the album, we classify this track as a single. In terms of popularity, GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra by Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Symphony No. 41 in C Major, K. 551: I. Allegro vivace | Wolfgang Amadeus Mozart, Andrew Manze, NDR Radiophilharmonie | G Major | 1 | 9B | 79 BPM | ||
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Trio pathétique in D Minor: III. Largo | Mikhail Glinka, Daniel Ottensamer, Stephan Koncz, Christoph Traxler | D♭ Major | 0 | 3B | 130 BPM | ||
Themes from "Chocolat" | Rachel Portman, Esther Abrami, Iyad Sughayer, Vienna Radio Symphony Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
Serenade in A Minor, Op. 75: I. Andante con moto | Max Bruch, Antje Weithaas, NDR Radiophilharmonie, Hermann Bäumer | D Minor | 0 | 7A | 84 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
The Swan Piano Variation (From The Carnival of the Animals, R.125, Arr. for Piano by Svetoslav Karparov) | Camille Saint-Saëns, Gabriele Bagnati | G Major | 1 | 9B | 133 BPM | ||
I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM |
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