"St John Passion: Part II, IX. The Death of Jesus" by James MacMillan, Sir Colin Davis, Christopher Maltman, London Symphony Orchestra was released on February 10, 2009. The duration of St John Passion: Part II, IX. The Death of Jesus is about 3 minutes long, at 3:03. Based on our data, "St John Passion: Part II, IX. The Death of Jesus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in James MacMillan, London Symphony Orchestra, Christopher Maltman, London Symphony Chorus, Sir Colin Davis's "MacMillan: St John Passion" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, St John Passion: Part II, IX. The Death of Jesus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St John Passion: Part II, IX. The Death of Jesus by James MacMillan, Sir Colin Davis, Christopher Maltman, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Have Mercy Upon Me, O God, After Thy Great Goodness (Psalm 51) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 1 | 9B | 75 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM |
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