"Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace"" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini was released on 1997. Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace" is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini's "Monteverdi: Madrigals, Book 8 - Madrigali guerrieri et amorosi" album is number 13 out of 17. On top of that, France appears to be the country where this track was created. Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigali guerrieri: No. 2, Sonnet by Petrarch, Partie I "Hor che'l' ciel e la terra e'l vento tace" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Vespers of 1610: Nisi Dominus | Claudio Monteverdi, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 87 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 84 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Ave verum corpus - (Motet) | William Byrd, The Sixteen, Harry Christophers | G Minor | 1 | 6A | 83 BPM |
Section: 0.6258668899536133
End: 0.6290457248687744