"Give me the wings of faith - (Song 67)" by Orlando Gibbons, The Choir Of Trinity College, Cambridge was released on October 5, 1996. The duration of Give me the wings of faith - (Song 67) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Give me the wings of faith - (Song 67)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Choir Of Trinity College, Cambridge's "Hymns From Trinity" album is number 5 out of 21. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Give me the wings of faith - (Song 67) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Give me the wings of faith - (Song 67) by Orlando Gibbons, The Choir Of Trinity College, Cambridge to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Great King of Gods | Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives | B Minor | 0 | 10A | 73 BPM | ||
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM |
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