"Great King of Gods" by Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives was released on 2003. With this song being about 5 minutes long, at 4:35, "Great King of Gods" by Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Orlando Gibbons: With a Merrie Noyse: Second Service & Consort Anthems". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Great King of Gods is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Great King of Gods by Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey-Crump, Bill Ives having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
Anima dolorosa | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Major | 0 | 8B | 133 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Fantasie X | Jordi Savall, Orlando Gibbons | A Major | 0 | 11B | 81 BPM | ||
Drop, Drop Slow Tears - Arr. for Saxophone and Vocal Ensemble by Christian Forshaw | Christian Forshaw, Orlando Gibbons, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 171 BPM | ||
This Is the Record of John | Orlando Gibbons, Anna Steppler, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 82 BPM |
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