Funeral Sentences For Queen Mary: Funeral March - Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London Information

Acousticness: 95%
Danceability: 30%
Energy: 16%
Instrumentalness: 96%
Liveness: 10%
Loudness: 57%
Speechiness: 5%
Valence: 11%
Popularity: 15%
Loudness: -25.601 dB

Summary

"Funeral Sentences For Queen Mary: Funeral March" by Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London was released on December 20, 2006. The duration of Funeral Sentences For Queen Mary: Funeral March is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Funeral March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Funeral Sentences For Queen Mary: Funeral March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Funeral Sentences For Queen Mary: Funeral March BPM

With Funeral Sentences For Queen Mary: Funeral March by Timothy Brown, Ron Bryans, Tim Handley, Nicholas Parker, Marshall Marcus, Nicholas Parker, Tim Handley, Choir of Clare College, Cambridge, Robert Howes, Liz Kenny, Andrew Manze, Jonathan Brown, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins, William Carter, Mark Bennet, Keri Dexter, Jan Schlapp, Micheal Laird, Baroque Brass Of London having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Funeral Sentences For Queen Mary: Funeral March Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gloria: Domine deus, rex coelestis. Andante	John Rutter, Choir of Clare College, Cambridge, Timothy Brown, The Wallace Collection	D Minor	2	7A	87 BPM
"Pomp and Circumstance," Op.39: March, No.4 in G	Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar	G Major	3	9B	101 BPM
Jazz Suite No. 1: I. Waltz	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	E♭ Major	1	5B	173 BPM
Hungarian Dances, WoO 1: No. 1 in G Minor	Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest	G Minor	2	6A	73 BPM
3 Pieces in Old Style: No. 2. Menuetto I	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	A Minor	1	8A	155 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Das Rheingold: Einzug der Götter in Walhall	Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel	D♭ Major	1	3B	76 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso	Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek	B♭ Major	2	6B	133 BPM
3 Chansons de Charles d'Orléans, L.92	Claude Debussy, Choir of Clare College, Cambridge, Timothy Brown	A♭ Minor	0	1A	90 BPM
Turandot / Act 1: "Popoli di Pekino!"	Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta	A♭ Major	3	4B	134 BPM

ISRC: NLN580519607
Label: L-M Records/RCA Records

Section: 0.8274996280670166

End: 0.8327841758728027