Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar's '"Pomp and Circumstance," Op.39: March, No.4 in G' came out on January 1, 1976. With this song being about 5 minutes long, at 4:49, ""Pomp and Circumstance," Op.39: March, No.4 in G" by Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 20 in Elgar: Enigma Variations; Pomp and Circumstance by Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar. In terms of popularity, "Pomp and Circumstance," Op.39: March, No.4 in G is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Pomp and Circumstance," Op.39: March, No.4 in G by Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture - From "Mary Poppins" | Royal Philharmonic Orchestra | F Major | 2 | 7B | 107 BPM | ||
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" | Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar | F Major | 3 | 7B | 113 BPM | ||
Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult | E Major | 4 | 12B | 79 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 63 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
The Land of the Mountain and the Flood, Op. 3 | Hamish MacCunn, Royal Ballet Sinfonia, John Wilson | B Major | 1 | 1B | 108 BPM | ||
Gone With The Wind: Tara | Royal Philharmonic Orchestra | F Major | 1 | 7B | 107 BPM |
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