"Toccata & Fugue in D Minor, BWV 565" by Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1992. Since Toccata & Fugue in D Minor, BWV 565 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Bach, J.S.: Transcriptions by Stokowski/Schoenberg/Stravinsky/Webern by Johann Sebastian Bach, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. In terms of popularity, Toccata & Fugue in D Minor, BWV 565 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata & Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | F Major | 2 | 7B | 88 BPM | ||
The Love For Three Oranges, Op. 33: March | Sergei Prokofiev, Nemanja Radulović, Les Trilles Du Diable, Laure Favre-Kahn | G Major | 0 | 9B | 117 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM |
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