"Gloria: Domine deus, rex coelestis. Andante" by John Rutter, Choir of Clare College, Cambridge, Timothy Brown, The Wallace Collection was released on April 1, 2009. Since Gloria: Domine deus, rex coelestis. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rutter: Gloria - Bernstein: Chichester Psalms - Poulenc: Quatre petites prières". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Gloria: Domine deus, rex coelestis. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gloria: Domine deus, rex coelestis. Andante by John Rutter, Choir of Clare College, Cambridge, Timothy Brown, The Wallace Collection having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloriana, Op. 53: Choral Dances: No. 3. Time and Concord | Benjamin Britten, The Cambridge Singers, John Rutter | F Major | 1 | 7B | 0 BPM | ||
Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 170 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Be thou my vision | John Rutter, The Cambridge Singers, City of London Sinfonia | E Minor | 1 | 9A | 64 BPM | ||
2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
Mouret: Rondeau ("Masterpiece Theater" Theme) - Produced | Mouret, Calvin Hampton | D Major | 1 | 10B | 146 BPM | ||
Crux fidelis | João IV of Portugal, The Cambridge Singers | G Major | 0 | 9B | 62 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM |
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