"La Chulapona: "Dígale Usted a la Rosario"" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal was released on February 11, 2013. La Chulapona: "Dígale Usted a la Rosario" is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La Chulapona" album is number 5 out of 8. Based on our statistics, La Chulapona: "Dígale Usted a la Rosario"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Chulapona: "Dígale Usted a la Rosario" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per la gloria d'adorarvi | Giovanni Bononcini, Ramón Vargas | A Major | 2 | 11B | 112 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Giulio Cesare in Egitto, HWV 17: Piangeró, piangeró, la sorta mia | George Frideric Handel, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | B Minor | 1 | 10A | 134 BPM | ||
Alceste, Wq. 44: Divinités du Styx | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | A Minor | 2 | 8A | 91 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
6 Canciones castellanas (Excerpts): No. 3, Llámala con el pañuelo | Jesús Guridi, Teresa Berganza, Felix Lavilla | A Minor | 2 | 8A | 139 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Teresa Berganza, London Symphony Orchestra, Sir John Pritchard | B♭ Major | 1 | 6B | 121 BPM |
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