Giovanni Bononcini, Ramón Vargas's 'Per la gloria d'adorarvi' came out on October 7, 2002. The duration of Per la gloria d'adorarvi is about 3 minutes long, at 3:12. Based on our data, "Per la gloria d'adorarvi" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 16 in Arie Antiche by Ramón Vargas. In terms of popularity, Per la gloria d'adorarvi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Per la gloria d'adorarvi by Giovanni Bononcini, Ramón Vargas is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
Vergin, tutto amor | Francesco Durante, Sung Hee Park, Jean-Pierre Ferey | D Minor | 1 | 7A | 123 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Barbara ninfa ingrata: III. Aria - "Era meglio lasciarmi morire" | Giovanni Bononcini, L'Yriade, Cyril Auvity | A Major | 1 | 11B | 78 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM | ||
Il Turco in Italia / Act 2: "Fermate" | Gioachino Rossini, Roberto de Candia, Alessandro Corbelli, Ramón Vargas, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM |
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