"Vergin, tutto amor" by Francesco Durante, Sung Hee Park, Jean-Pierre Ferey was released on February 2, 2018. The duration of Vergin, tutto amor is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Vergin, tutto amor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Birds & Love by Yuki Koyama, Jean-Pierre Ferey, Sung Hee Park. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Vergin, tutto amor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vergin, tutto amor by Francesco Durante, Sung Hee Park, Jean-Pierre Ferey is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti) | Giovanni Battista Pergolesi, Teresa Berganza, Ricardo Requejo | C Minor | 0 | 5A | 131 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
Myrthen, Op. 25: 3. Der Nussbaum | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Danza fanciulla gentile | Francesco Durante, Dame Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 3 | 3A | 109 BPM | ||
2 Paysages: No. 1. Maritime | Jean Cras, Jean-Pierre Ferey | A Major | 2 | 11B | 119 BPM |
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