"Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti)" by Giovanni Battista Pergolesi, Teresa Berganza, Ricardo Requejo was released on January 1, 2005. The duration of Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Se tu m'ami, se sospiri (Arr. by Alessandro Parisotti) by Giovanni Battista Pergolesi, Teresa Berganza, Ricardo Requejo is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trece canciones espanolas antiguas: Nana de Sevilla | Federico García Lorca, Narciso Yepes, Teresa Berganza | B Minor | 0 | 10A | 111 BPM | ||
The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 78 BPM | ||
La Serva Padrona · Intermezzo Primo: VI. 06 Aria: Sempre in contrasti | Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 1 | 3B | 183 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
El tra la la y el Punteado | Enrique Granados, Teresa Berganza, Felix Lavilla | A Major | 4 | 11B | 103 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Fleur desséchée | Pauline Viardot, Hélène Guilmette, Martin Dubé | E Major | 0 | 12B | 142 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM |
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