"The Medium, Act I: "the Sun has fallen" (Monica)" by Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak was released on January 1, 2000. The duration of The Medium, Act I: "the Sun has fallen" (Monica) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Medium, Act I: "the Sun has fallen" (Monica)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gian Carlo Menotti, Joyce Castle, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak's "Menotti: The Medium" album is number 20 out of 40. The Medium, Act I: "the Sun has fallen" (Monica) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Medium, Act I: "the Sun has fallen" (Monica) by Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Hermit Songs Op.29: 5. The Crucifixion | Samuel Barber, Barbara Bonney, André Previn | A Minor | 0 | 8A | 162 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
The Medium, Act I: "Baba, what has happened?" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | A♭ Major | 1 | 4B | 84 BPM |
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