"Hermit Songs Op.29: 5. The Crucifixion" by Samuel Barber, Barbara Bonney, André Previn was released on January 1, 1997. The duration of Hermit Songs Op.29: 5. The Crucifixion is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Hermit Songs Op.29: 5. The Crucifixion's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 30 in American Songs by Barbara Bonney, André Previn. The popularity of Hermit Songs Op.29: 5. The Crucifixion is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hermit Songs Op.29: 5. The Crucifixion by Samuel Barber, Barbara Bonney, André Previn is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Barber: Piano Sonata Op.26, (iv) Fuga: Allegro con spirito | Fiachra Garvey, Samuel Barber | E♭ Minor | 3 | 2A | 118 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Songs: A Slumber Song Of The Madonna - Moderato | Samuel Barber, Cheryl Studer, John Browning | A♭ Major | 0 | 4B | 151 BPM | ||
Concerto for Piano and Orchestra No. 23 in A major: II. Adagio | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | F♯ Minor | 0 | 11A | 85 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM |
Section: 0.7616000175476074
End: 0.7680788040161133