Trece canciones espanolas antiguas: Nana de Sevilla
Federico García Lorca, Narciso Yepes, Teresa Berganza
Brava Berganza
3:27 January 1, 2005
BPM
111
Key
B Minor
Camelot
10A

Embed

Share Link

Trece canciones espanolas antiguas: Nana de Sevilla - Federico García Lorca, Narciso Yepes, Teresa Berganza Information

Acousticness
99%
Danceability
37%
Energy
2%
Instrumentalness
0%
Liveness
9%
Loudness
57%
Speechiness
4%
Valence
11%
Popularity
Loudness
-25.837 dB

Summary

"Trece canciones espanolas antiguas: Nana de Sevilla" by Federico García Lorca, Narciso Yepes, Teresa Berganza was released on January 1, 2005. The duration of Trece canciones espanolas antiguas: Nana de Sevilla is about 3 minutes long, at 3:27. Based on our data, "Trece canciones espanolas antiguas: Nana de Sevilla" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Trece canciones espanolas antiguas: Nana de Sevilla is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trece canciones espanolas antiguas: Nana de Sevilla BPM

The tempo marking of Trece canciones espanolas antiguas: Nana de Sevilla by Federico García Lorca, Narciso Yepes, Teresa Berganza is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Trece canciones espanolas antiguas: Nana de Sevilla Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cristo de la Vera-Cruz by Niño de PorcunaCristo de la Vera-CruzNiño de PorcunaC Minor35A142 BPM
El Estanque De Los Lotos by Rafael RiqueniEl Estanque De Los LotosRafael RiqueniF Major27B78 BPM
Mezquita (Solea) by Vicente AmigoMezquita (Solea)Vicente AmigoD♭ Major33B108 BPM
Sierra De Luna (Canción Aragonesa por Bulerías) by Adela La ChaquetaSierra De Luna (Canción Aragonesa por Bulerías)Adela La ChaquetaF Major87B134 BPM
Camino del Indio by Pedro Ibanez, Paco IbanezCamino del IndioPedro Ibanez, Paco IbanezD Major110B77 BPM
Málaga (Malagueña) by Daniel CasaresMálaga (Malagueña)Daniel CasaresA Minor48A83 BPM
Coje La Senda - Tangos De Granada by Juan HabichuelaCoje La Senda - Tangos De GranadaJuan HabichuelaG Minor46A141 BPM
Soleares by Diego Del GastorSolearesDiego Del GastorA♭ Major24B108 BPM
Colombianas: Qué Altita Que Está la Luna by Jesús Perosanz, Paquito SimónColombianas: Qué Altita Que Está la LunaJesús Perosanz, Paquito SimónE Major212B111 BPM
Tus Ojos Me Recuerdan by Paco IbanezTus Ojos Me RecuerdanPaco IbanezB♭ Minor23A78 BPM
ISRC
DEF057632108
Label
L-M Records/RCA Records

Section: 0.5391316413879395

End: 0.5438570976257324