"Myrthen, Op. 25: No. 1, Widmung" by Felicity Lott, Graham Johnson was released on January 25, 2011. The duration of Myrthen, Op. 25: No. 1, Widmung is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Myrthen, Op. 25: No. 1, Widmung's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Schumann Favourite Songs". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, Myrthen, Op. 25: No. 1, Widmung is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Myrthen, Op. 25: No. 1, Widmung by Felicity Lott, Graham Johnson having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter Grimes Op. 33, Scene 1: Embroidery in childhood was a luxury of idleness (Ellen/Balstrode) | Benjamin Britten, Felicity Lott, Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden | A Minor | 1 | 8A | 95 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
Offenbach: La belle Hélène, Act 1: "Les Dieux decrétènt par ma voix" (Calchas, Ménélas, Hélène, Pâris, Agamemnon, Oreste, Ajax premier, Ajax second, Achille, Chorus) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | F Major | 3 | 7B | 144 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Chanson perpétuelle Op. 37 | Ernest Chausson, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | F♯ Minor | 0 | 11A | 84 BPM | ||
Italienisches Liederbuch: No. 40, O wär' dein Haus | Hugo Wolf, Felicity Lott, Graham Johnson | B♭ Major | 1 | 6B | 92 BPM | ||
Wesendonck Lieder, WWV 91: Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM |
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