Instrumental Music from King Arthur, Z. 628: 1. Overture - Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra Information

Acousticness: 94%
Danceability: 46%
Energy: 13%
Instrumentalness: 94%
Liveness: 7%
Loudness: 66%
Speechiness: 4%
Valence: 40%
Popularity: 8%
Loudness: -20.453 dB

Summary

Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra made "Instrumental Music from King Arthur, Z. 628: 1. Overture" available on 1995. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 50 in the song's album "Purcell: Ayres for the Theatre". In this album, this song's track order is #10. In terms of popularity, Instrumental Music from King Arthur, Z. 628: 1. Overture is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Instrumental Music from King Arthur, Z. 628: 1. Overture BPM

With Instrumental Music from King Arthur, Z. 628: 1. Overture by Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Instrumental Music from King Arthur, Z. 628: 1. Overture Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia	Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner	F♯ Minor	1	11A	94 BPM
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante	Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer	B Minor	0	10A	132 BPM
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe)	Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall	D♭ Minor	0	12A	77 BPM
Bonduca: Britons strike home	Henry Purcell, Martyn Hill, Taverner Choir, Academy of Ancient Music, Christopher Hogwood	B Major	1	1B	113 BPM
Stabat Mater: I. Stabat Mater dolorosa	Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic	D♭ Major	1	3B	126 BPM
Armide: Overture	Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown	B♭ Major	1	6B	70 BPM
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	113 BPM
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau)	The Scholars Baroque Ensemble, John Dryden, Henry Purcell	A♭ Major	0	4B	114 BPM
L'Aria	Heinrich Ignaz Franz von Biber, Christina Pluhar	D Minor	1	7A	86 BPM
12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 1. Largo	George Frideric Handel, Handel & Haydn Society, Christopher Hogwood	E Major	0	12B	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7676224708557129

End: 0.7735350131988525