"Orfeo ed Euridice, Act III: Ach, ich habe sie verloren (Che faro senza Euridice?)" by Munich Philharmonic Orchestra, Gerd Albrecht, Brigitte Fassbaender was released on November 28, 2005. With this song being about 5 minutes long, at 4:37, "Orfeo ed Euridice, Act III: Ach, ich habe sie verloren (Che faro senza Euridice?)" by Munich Philharmonic Orchestra, Gerd Albrecht, Brigitte Fassbaender is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 38 in the song's album "The Very Best Of Brigitte Fassbaender". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Orfeo ed Euridice, Act III: Ach, ich habe sie verloren (Che faro senza Euridice?) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Act III: Ach, ich habe sie verloren (Che faro senza Euridice?) by Munich Philharmonic Orchestra, Gerd Albrecht, Brigitte Fassbaender having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 3: Aria: Ich bewein' mein traurig' Ende (Cleopatra) | George Frideric Handel, Munich Philharmonic Orchestra, Lucia Popp, Ferdinand Leitner | C Minor | 2 | 5A | 107 BPM | ||
Symphony No.1 in C major: IV. Allegro vivace | Munich Philharmonic Orchestra, Alfred Scholz | G Major | 3 | 9B | 135 BPM | ||
Pulcinella Suite: IV. Tarantella | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | F Major | 2 | 7B | 106 BPM | ||
Giulio Cesare in Egitto, HWV 17 (Sung in German), Act II: Act II Scene 8: Aria: Wenn ihr mir nicht Mitleid spendet (Cleopatra) | George Frideric Handel, Lucia Popp, Munich Philharmonic Orchestra, Ferdinand Leitner | F♯ Minor | 2 | 11A | 102 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Sir Simon Rattle, London Symphony Orchestra | F Major | 2 | 7B | 140 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM |
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