"St. John Passion: XI. Die seiben Schalen des Zorns" by Sofia Gubaidulina, Natalia Korneva, Victor Lutsiuk, Fedor Mozhaev, Gennady Bezzubenkov, St.Petersburg Chamber Choir, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. St. John Passion: XI. Die seiben Schalen des Zorns is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Sofia Gubaidulina's "Gubaidulina: St. John Passion" album is number 4 out of 11. On top of that, Germany appears to be the country where this track was created. St. John Passion: XI. Die seiben Schalen des Zorns is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. John Passion: XI. Die seiben Schalen des Zorns by Sofia Gubaidulina, Natalia Korneva, Victor Lutsiuk, Fedor Mozhaev, Gennady Bezzubenkov, St.Petersburg Chamber Choir, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pierrot Lunaire, Op. 21 / Part 1: II. Colombine | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A♭ Major | 0 | 4B | 112 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
Ligeti : Hamburg Concerto : II Signale, Tanz, Choral | György Ligeti, Reinbert de Leeuw | C Major | 0 | 8B | 75 BPM | ||
Requiem canticles: I. Praeludium | Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe | A Minor | 1 | 8A | 138 BPM | ||
Seven Words for Cello, Accordion & Strings: V. I Thirst | Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza | C Major | 1 | 8B | 130 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM |
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