"Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with" by Toru Takemitsu, Kotaro Fukuma was released on September 1, 2007. With Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Takemitsu: Piano Music". In this album, this song's track order is #4. In terms of popularity, Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with by Toru Takemitsu, Kotaro Fukuma having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Préludes / Book 1, L. 117: I. Danseuses de Delphes | Claude Debussy, Arturo Benedetti Michelangeli | E Minor | 0 | 9A | 63 BPM | ||
Solitude Sonore | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 81 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
Impresiones intimas: 2. Planys II | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 141 BPM | ||
The New Albion Chorale - Reprise | Terry Riley | F♯ Minor | 0 | 11A | 204 BPM | ||
Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
24 Préludes, Op. 28: No. 24 in D Minor | Frédéric Chopin, Kotaro Fukuma | D Minor | 2 | 7A | 78 BPM |
Section: 0.5461931228637695
End: 0.5501830577850342