"Répons: Section 1" by Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain was released on January 1, 1998. The duration of Répons: Section 1 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Répons: Section 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Boulez: Répons; Dialogue de l'ombre double by Pierre Boulez, Alain Damiens, Ensemble Intercontemporain. Répons: Section 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Répons: Section 1 by Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106): I. Andante tranquillo | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Minor | 1 | 7A | 109 BPM | ||
Siegfried, WWV 86C / Act II: "Daß der mein Vater nicht ist" | Richard Wagner, Manfred Jung, Bayreuth Festival Orchestra, Pierre Boulez | F Major | 1 | 7B | 177 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | C Minor | 3 | 5A | 63 BPM | ||
Violin Concerto (1992): I. Praeludium: Vivacissimo luminoso - attacca: | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 1 | 9B | 114 BPM | ||
Cadenza on the Night Plain: Captain Jack Has the Last Word | Terry Riley, Kronos Quartet | D♭ Major | 1 | 3B | 115 BPM | ||
Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
Dialogue de l'ombre double (1985): Transition II à III | Pierre Boulez, Alain Damiens, Andrew Gerzso | E Minor | 0 | 9A | 72 BPM | ||
Promethée - Le poème du feu, Op. 60 | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe | B♭ Minor | 1 | 3A | 65 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |
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