Requiem canticles: I. Praeludium
Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe
Stravinsky: Threni & Requiem Canticles
1:10 May 20, 2016
BPM
138
Key
A Minor
Camelot
8A

Embed

Share Link

Requiem canticles: I. Praeludium - Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe Information

Acousticness
99%
Danceability
15%
Energy
9%
Instrumentalness
4%
Liveness
8%
Loudness
56%
Speechiness
5%
Valence
7%
Popularity
Loudness
-26.316 dB

Summary

"Requiem canticles: I. Praeludium" by Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe was released on May 20, 2016. With Requiem canticles: I. Praeludium being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Stravinsky: Threni & Requiem Canticles". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Requiem canticles: I. Praeludium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem canticles: I. Praeludium BPM

With Requiem canticles: I. Praeludium by Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Requiem canticles: I. Praeludium Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
String Quartet No. 4, Op. 37: I. Allegro molto, energico by Arnold Schoenberg, Gringolts QuartetString Quartet No. 4, Op. 37: I. Allegro molto, energicoArnold Schoenberg, Gringolts QuartetC Major18B134 BPM
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus by Olivier Messiaen, Lucas DebargueQuatuor pour la fin du Temps: V. Louange à l'éternité de JésusOlivier Messiaen, Lucas DebargueE Major012B81 BPM
Shostakovich - Preludes, Op. 34 - No. 24, Allegretto by Leonid KoganShostakovich - Preludes, Op. 34 - No. 24, AllegrettoLeonid KoganD Minor17A169 BPM
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando by Benjamin Britten, Sir Simon Rattle, London Symphony OrchestraThe Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerandoBenjamin Britten, Sir Simon Rattle, London Symphony OrchestraB Major01B124 BPM
Piano Quintet in G Minor, Op. 57: III. Scherzo by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanPiano Quintet in G Minor, Op. 57: III. ScherzoDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanD♭ Minor512A138 BPM
Divertimento: V: Turkey Trot: Allegretto, ben misurato by Leonard Bernstein, Bournemouth Symphony Orchestra, Marin AlsopDivertimento: V: Turkey Trot: Allegretto, ben misuratoLeonard Bernstein, Bournemouth Symphony Orchestra, Marin AlsopD♭ Major13B106 BPM
Violin Concerto, Op. 30: Ia. Cadenza by Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaViolin Concerto, Op. 30: Ia. CadenzaAlberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-EstradaC Major38B135 BPM
Violin Concerto, Op. 14: III. Presto in moto perpetuo by Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph SwensenViolin Concerto, Op. 14: III. Presto in moto perpetuoSamuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph SwensenG Major49B155 BPM
Concerto for Viola and Orchestra: I. Andante comodo by William Walton, Edward Gardner, BBC Symphony Orchestra, James EhnesConcerto for Viola and Orchestra: I. Andante comodoWilliam Walton, Edward Gardner, BBC Symphony Orchestra, James EhnesA Minor18A102 BPM
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato by Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderatoDmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major34B140 BPM
ISRC
BER181602008
Label
L-M Records/RCA Records

Section: 0.6729261875152588

End: 0.677375078201294