"Requiem canticles: I. Praeludium" by Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe was released on May 20, 2016. With Requiem canticles: I. Praeludium being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Stravinsky: Threni & Requiem Canticles". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Requiem canticles: I. Praeludium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem canticles: I. Praeludium by Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4, Op. 37: I. Allegro molto, energico | Arnold Schoenberg, Gringolts Quartet | C Major | 1 | 8B | 134 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Shostakovich - Preludes, Op. 34 - No. 24, Allegretto | Leonid Kogan | D Minor | 1 | 7A | 169 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Piano Quintet in G Minor, Op. 57: III. Scherzo | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D♭ Minor | 5 | 12A | 138 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Violin Concerto, Op. 30: Ia. Cadenza | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen | G Major | 4 | 9B | 155 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 3 | 4B | 140 BPM |
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