"String Quartet No. 4, Op. 37: I. Allegro molto, energico" by Arnold Schoenberg, Gringolts Quartet was released on August 4, 2017. Since String Quartet No. 4, Op. 37: I. Allegro molto, energico is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Schoenberg: String Quartets Nos. 2 & 4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, String Quartet No. 4, Op. 37: I. Allegro molto, energico's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 4, Op. 37: I. Allegro molto, energico by Arnold Schoenberg, Gringolts Quartet having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Moses und Aron / Act I: Der einzige, ewige, allmächtige (Moses, Aron, Chor) | Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Gurrelieder, Pt. 3: No. 15, Gegrüsst, o König (Waldemar's Men) | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan Rozehnal | D Major | 5 | 10B | 108 BPM | ||
Schoenberg: Gurre-Lieder, Melodram: Vorspiel. Des Sommerwindes wilde Jagd | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | B Minor | 0 | 10A | 68 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 3: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Minor | 0 | 4A | 107 BPM |
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