"Verdi: Aida, Act 1: "Immenso Fthà! ... Mortal, diletto ai numi" (Chorus, Ramfis) [Live]" by Giuseppe Verdi, Maria Callas, Orquesta del Palacio de Bellas Artes, Mexico City, Roberto Silva, Oliviero de Fabritiis was released on September 15, 2017. With Verdi: Aida, Act 1: "Immenso Fthà! ... Mortal, diletto ai numi" (Chorus, Ramfis) [Live] being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida (1951 - Mexico City) - Callas Live Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #11 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Verdi: Aida, Act 1: "Immenso Fthà! ... Mortal, diletto ai numi" (Chorus, Ramfis) [Live]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 1: "Immenso Fthà! ... Mortal, diletto ai numi" (Chorus, Ramfis) [Live] by Giuseppe Verdi, Maria Callas, Orquesta del Palacio de Bellas Artes, Mexico City, Roberto Silva, Oliviero de Fabritiis has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Aida, Act 1: "Immenso Fthà! ... Mortal, diletto ai numi" (Chorus, Ramfis) [Live] being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Kurt Baum, Giulietta Simionato | F♯ Minor | 3 | 11A | 80 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
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