"Two Symphonic Studies: II. Toccata. Lento" by John Ireland, Richard Hickox, City of London Sinfonia had its release date on June 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Ireland, Richard Hickox, City of London Sinfonia's "Ireland: A Downland Suite, Contertino Pastorale, Two Symphonic Studies & Orchestral Poem" album is number 10 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Two Symphonic Studies: II. Toccata. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Symphonic Studies: II. Toccata. Lento by John Ireland, Richard Hickox, City of London Sinfonia to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
One Charming Night (Secrecy) | Henry Purcell, Sjaella | F♯ Minor | 0 | 11A | 85 BPM | ||
The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | A♭ Major | 0 | 4B | 78 BPM | ||
Praise, my soul, the King of heaven (Praise, my soul) | John Goss, York Minster Choir, Philip Moore | D Major | 2 | 10B | 82 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Three Songs, Op. 42: II. Vineta | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM |