"The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano)" by John Ireland, Julian Lloyd Webber, John Lenehan had its release date on February 7, 2012. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Delius & Ireland: Evening Songs by Julian Lloyd Webber. The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano) by John Ireland, Julian Lloyd Webber, John Lenehan is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Christus factus est | Anton Bruckner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 139 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Mass No.2 in G Major, D.167: I. Kyrie | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM |