"Aman novi probatur exitu - Heu, Fortuna subdola - Heu me, tristis est anima mea (Motette)" by Philippe de Vitry, Sequentia was released on March 22, 2005. The duration of Aman novi probatur exitu - Heu, Fortuna subdola - Heu me, tristis est anima mea (Motette) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Aman novi probatur exitu - Heu, Fortuna subdola - Heu me, tristis est anima mea (Motette)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 20 in DHM Splendeurs: Vitry: Motets Et Chansons by Philippe de Vitry, Sequentia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aman novi probatur exitu - Heu, Fortuna subdola - Heu me, tristis est anima mea (Motette)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aman novi probatur exitu - Heu, Fortuna subdola - Heu me, tristis est anima mea (Motette) by Philippe de Vitry, Sequentia is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ce fut en mai | Moniot d'Arras, Millenarium | E♭ Major | 1 | 5B | 83 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480] | John Dunstable, Joculatores Upsalienses | D Minor | 0 | 7A | 123 BPM | ||
Missa L'homme arme: Kyrie | Guillaume Dufay, Oxford Camerata, Jeremy Summerly | D♭ Minor | 1 | 12A | 58 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM |
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