"O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480]" by John Dunstable, Joculatores Upsalienses was released on September 30, 1990. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joculatores Upsalienses's "Joculatores Upsalienses: Early Music at Wik" album is number 23 out of 28. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480] by John Dunstable, Joculatores Upsalienses to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Missa Kyrie fons bonitatisIV. Sanctus | Gregorian Chants, Karel Frana, Boni Puncti | F♯ Minor | 6 | 11A | 80 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Credo, JD 16: Credo (Jesu Christe Fili Dei), JD 16 | John Dunstable, Tonus Peregrinus, Antony Pitts | B Major | 1 | 1B | 86 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Tempo Della Vita Pubblica: Kyrie 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 0 | 4B | 74 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Da Ripa : Part III: Nunc Mater exora natum | Heringman | A Major | 0 | 11B | 96 BPM | ||
Quam pulchra es | John Dunstable, Zefiro Torna | C Major | 2 | 8B | 82 BPM | ||
Alma Redemptoris Mater | Lucien Deiss, CSSp | E♭ Major | 1 | 5B | 63 BPM |
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