HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph)
Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra
Gilbert & Sullivan: HMS Pinafore
3:35 June 13, 2011
BPM
76
Key
F Major
Camelot
7B

Embed

Share Link

HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) - Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra Information

Acousticness
96%
Danceability
25%
Energy
13%
Instrumentalness
0%
Liveness
26%
Loudness
71%
Speechiness
6%
Valence
9%
Popularity
Loudness
-17.599 dB

Summary

"HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph)" by Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra was released on June 13, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 16 out of 49. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) BPM

We consider the tempo marking of HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) by Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tom Bowling by Charles Dibdin, Sir Peter Pears, Benjamin BrittenTom BowlingCharles Dibdin, Sir Peter Pears, Benjamin BrittenE♭ Major15B76 BPM
The Gondoliers: We're called gondolieri, but that's a vagary by Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyThe Gondoliers: We're called gondolieri, but that's a vagaryArthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyF Major37B85 BPM
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) by Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De LyonOrphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton)Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De LyonG Major29B111 BPM
Trial by Jury: Hark, The Hour of Ten Is Sounding by Gilbert & Sullivan Society of HoustonTrial by Jury: Hark, The Hour of Ten Is SoundingGilbert & Sullivan Society of HoustonA Major311B181 BPM
H.M.S. Pinafore, Act I: A Maiden Fair to See by Gilbert & Sullivan Society of HoustonH.M.S. Pinafore, Act I: A Maiden Fair to SeeGilbert & Sullivan Society of HoustonC Major38B129 BPM
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) by Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich HaiderDie Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus)Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich HaiderD Major410B74 BPM
H.M.S. Pinafore, Act I: When I Was a Lad by Gilbert & Sullivan Society of HoustonH.M.S. Pinafore, Act I: When I Was a LadGilbert & Sullivan Society of HoustonB♭ Major46B109 BPM
Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) by Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinCavalleria rusticana: Part I: Gli aranci olezzano (Women, Men)Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinB Major11B85 BPM
Op 34, N. 2: Op 34, N. 2: "Auf Flügeln des Gesanges"Victoria de los ÁngelesA♭ Major14B138 BPM
Hermit Songs Op.29: 5. The Crucifixion by Samuel Barber, Barbara Bonney, André PrevinHermit Songs Op.29: 5. The CrucifixionSamuel Barber, Barbara Bonney, André PrevinA Minor08A162 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.664832353591919

End: 0.6699368953704834