"HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph)" by Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra was released on June 13, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 16 out of 49. HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Refrain, audacious tar (Josephine, Ralph) by Arthur Sullivan, Elsie Morison/Richard Lewis/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tom Bowling | Charles Dibdin, Sir Peter Pears, Benjamin Britten | E♭ Major | 1 | 5B | 76 BPM | ||
The Gondoliers: We're called gondolieri, but that's a vagary | Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 85 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | ||
H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B Major | 1 | 1B | 85 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Hermit Songs Op.29: 5. The Crucifixion | Samuel Barber, Barbara Bonney, André Previn | A Minor | 0 | 8A | 162 BPM |
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