- BPM
- 129
- Key
- C Major
- Camelot
- 8B
H.M.S. Pinafore, Act I: A Maiden Fair to See - Gilbert & Sullivan Society of Houston Information
- Acousticness
- 83%
- Danceability
- 52%
- Energy
- 26%
- Instrumentalness
- 0%
- Liveness
- 56%
- Loudness
- 74%
- Speechiness
- 49%
- Valence
- 35%
- Popularity
- 8%
- Loudness
- -15.397 dB
Summary
Gilbert & Sullivan Society of Houston's 'H.M.S. Pinafore, Act I: A Maiden Fair to See' came out on August 1, 2006. The duration of H.M.S. Pinafore, Act I: A Maiden Fair to See is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. H.M.S. Pinafore, Act I: A Maiden Fair to See's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gilbert & Sullivan Society of Houston's "H.M.S. Pinafore" album is number 6 out of 34. Based on our statistics, H.M.S. Pinafore, Act I: A Maiden Fair to See's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
H.M.S. Pinafore, Act I: A Maiden Fair to See BPM
We consider the tempo marking of H.M.S. Pinafore, Act I: A Maiden Fair to See by Gilbert & Sullivan Society of Houston to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
H.M.S. Pinafore, Act I: A Maiden Fair to See Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Zauberflöte / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | C Major | 1 | 8B | 125 BPM | |
 | Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | C Minor | 2 | 5A | 65 BPM | |
 | Te Deum in D, "Dettingen", HWV 283: Vouchsafe, O Lord | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | B Minor | 0 | 10A | 75 BPM | |
 | Scots Song | Charlotte Hoather | D Major | 0 | 10B | 66 BPM | |
 | The Sky Above the Roof | Ralph Vaughan Williams, Carolyn Sampson, Joseph Middleton | A Minor | 0 | 8A | 144 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | |
 | Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | |
 | Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | |
 | Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | |
 | Andrea Chénier, Act I: Colpito qui m'avete ... Un dì all'azzurro spazio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6602771282196045
End: 0.6705417633056641