Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey made "The Gondoliers: We're called gondolieri, but that's a vagary" available on January 1, 1961. The duration of The Gondoliers: We're called gondolieri, but that's a vagary is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Gondoliers: We're called gondolieri, but that's a vagary's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: The Gondoliers" album is number 7 out of 48. On top of that, United Kingdom appears to be the country where this track was created. The Gondoliers: We're called gondolieri, but that's a vagary is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Gondoliers: We're called gondolieri, but that's a vagary by Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi | Leonard Bernstein | C Major | 2 | 8B | 132 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Ramón Vargas | D Major | 2 | 10B | 86 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
23. My eyes are fully open to my awful situation | Arthur Sullivan, Jean Allister, John Reed, Kenneth Sandford, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Major | 3 | 10B | 116 BPM | ||
Imperial March, Op. 32 | Edward Elgar, BBC Philharmonic, George Hurst | B♭ Major | 3 | 6B | 105 BPM | ||
West Side Story: 15. I Have A Love | Leonard Bernstein, Kiri Te Kanawa, Tatiana Troyanos | D Major | 1 | 10B | 92 BPM |
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