"Hosanna to the Son of David" by Orlando Gibbons, David Hill, Winchester Cathedral Choir was released on April 1, 2000. The duration of Hosanna to the Son of David is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Hosanna to the Son of David's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Orlando Gibbons: Anthems". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Hosanna to the Son of David's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hosanna to the Son of David by Orlando Gibbons, David Hill, Winchester Cathedral Choir having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
Missa Pange lingua: I. Kyrie | Josquin des Prez, Kammerchor Josquin des Préz, Ludwig Bohme | B Minor | 2 | 10A | 72 BPM | ||
Fanfare des Médicis: Palle, palle (Instrumental) | Heinrich Isaac, Jordi Savall | F Major | 3 | 7B | 73 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Gabrieli, A: Intonatione del primo tono | Andrea Gabrieli, James O'Donnell | C Major | 1 | 8B | 68 BPM | ||
Maria wallt zum Heiligtum | Johannes Eccard, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Burial Sentences: VII. I Heard A Voice From Heav'n | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 177 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM |
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