"Rigoletto: Gualtier Maldè" by Daniela Lojarro, Deutsches Symphonie-Orchester Berlin was released on March 1, 2014. Since Rigoletto: Gualtier Maldè is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Magic of the Opera" album is number 23 out of 46. Based on our statistics, Rigoletto: Gualtier Maldè's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rigoletto: Gualtier Maldè by Daniela Lojarro, Deutsches Symphonie-Orchester Berlin to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Tosca: Recondita armonia | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Rigoletto: Act III: Un di, se ben rammentomi | Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro | D♭ Major | 2 | 3B | 68 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM |
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