"Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls)" by Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra was released on 1957. The duration of Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Sullivan - The Mikado". In this album, this song's track order is #10. Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls) by Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: If somebody there chanced to be (Rose) | Arthur Sullivan, Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 4 | 9B | 139 BPM | ||
Confortare (Arr. Rutter) | Henry Walford Davies, Roderick Williams, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Coronation Orchestra, Antonio Pappano, Peter Holder | D Major | 1 | 10B | 110 BPM | ||
H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM | ||
Sechs Lieder op.19: 2. Breit über mein Haupt dein schwarzes Haar | Richard Strauss, Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | D♭ Major | 1 | 3B | 76 BPM | ||
Plank Round | Linda Eder, Daniel Narducci, Alaxander Frey | F Minor | 5 | 4A | 114 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
London Metrologist | Bus Ghoster | G Major | 3 | 9B | 78 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM |
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