"Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale (Allegro tempestoso) - Live" by Sergei Prokofiev, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel was released on January 1, 2013. Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale (Allegro tempestoso) - Live appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 / Prokofiev: Piano Concerto No.2 In G Minor, Op.16 (Live From Caracas / 2013)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale (Allegro tempestoso) - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale (Allegro tempestoso) - Live by Sergei Prokofiev, Yuja Wang, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto (Live) | Dmitri Shostakovich, Martha Argerich, Alexander Verdernikov, Orchestra della Svizzera Italiana | A♭ Major | 3 | 4B | 175 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: I. Allegro moderato | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Minor | 2 | 5A | 142 BPM | ||
La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Piano Trio No. 1 in D minor, Op. 49: Molto allegro agitato | Felix Mendelssohn, Leonidas Kavakos | D Minor | 2 | 7A | 148 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM |
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