P.D.Q.Bach, Peter Schickele, Turtle Mountain Naval Base Tactical Wind Ensemble's '6 Contrary Dances, S. 39: No. 5, Vivace cucarace' had a release date set for September 1, 1992. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "P.D.Q. Bach: Music for an Awful Lot of Winds & Percussion". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. 6 Contrary Dances, S. 39: No. 5, Vivace cucarace is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With 6 Contrary Dances, S. 39: No. 5, Vivace cucarace by P.D.Q.Bach, Peter Schickele, Turtle Mountain Naval Base Tactical Wind Ensemble having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | G Minor | 2 | 6A | 80 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
6 Contrary Dances, S. 39: No. 6, Moving Right Alongo | P.D.Q.Bach, Peter Schickele, Turtle Mountain Naval Base Tactical Wind Ensemble | D Minor | 4 | 7A | 89 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 170 BPM | ||
Xasaposerviko | The Royal Wind Music | C Major | 1 | 8B | 97 BPM | ||
Clarinet Quintet: IV. Allegro energico | Arthur Bliss, David Campbell, Maggini Quartet | D Major | 1 | 10B | 86 BPM |