"Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers" by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra was released on June 7, 2024. The duration of Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto" album is number 13 out of 20. On top of that, France appears to be the country where this track was created. The popularity of Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): IV. Une valse militaire (after Prelude No. 16) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | D Minor | 1 | 7A | 114 BPM | ||
Ophélie, V. 21, 1re version (Seconde étude symphonique) | Guillaume Lekeu, Orchestre Philharmonique Royal de Liège, Pierre Bartholomée | D♭ Major | 0 | 3B | 71 BPM | ||
Concerto No. 4 For Violin and Orchestra in D Minor, Op. 31: Andante - Allegro | Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Lorenzo Gatto | G Major | 1 | 9B | 95 BPM | ||
Violin Sonata No. 4 in A Minor, Op. 23 (Arr. G. Braunstein for Flute Quintet): I. Presto | Ludwig van Beethoven, Gili Schwarzman, Guy Braunstein, Susanna Yoko Henkel, Amihai Grosz, Alisa Weilerstein | G Major | 2 | 9B | 141 BPM | ||
Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
Rapsodia en Re menor | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 79 BPM | ||
Feuilles d'automne | Alessandro Rustici | G Minor | 0 | 6A | 62 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Cocher, ralentis tes chevaux | Sirba Octet, Orchestre Philharmonique Royal de Liège, Christian Arming | B Minor | 2 | 10A | 74 BPM |
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