"Cantiones sacrae sex vocum: V. Ego cognovi quod erit bonum" by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe was released on October 28, 2008. The duration of Cantiones sacrae sex vocum: V. Ego cognovi quod erit bonum is about 3 minutes long, at 3:23. Based on our data, "Cantiones sacrae sex vocum: V. Ego cognovi quod erit bonum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 5 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: V. Ego cognovi quod erit bonum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantiones sacrae sex vocum: V. Ego cognovi quod erit bonum by Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exultate Deo (Alessandro Scarlatti) | Sexteto Cantábile | B Major | 2 | 1B | 76 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Quem vidistis pastores | Giovanni Bassano, Les Traversées Baroques, Etienne Meyer | G Minor | 2 | 6A | 98 BPM |
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