"Funeral Sentences For Queen Mary: Thou Knowest, Lord" by Timothy Brown, Keri Dexter, Choir of Clare College, Cambridge, Micheal Laird, Tim Handley, Nicholas Parker, Liz Kenny, Jonathan Brown, Henry Purcell, William Carter, Andrew Manze, Robert Howes, Jenny Ward-Clarke, Marshall Marcus, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Ron Bryans, Baroque Brass Of London, Mark Bennet, Jan Schlapp was released on December 20, 2006. The duration of Funeral Sentences For Queen Mary: Thou Knowest, Lord is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Thou Knowest, Lord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #12. Funeral Sentences For Queen Mary: Thou Knowest, Lord is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral Sentences For Queen Mary: Thou Knowest, Lord by Timothy Brown, Keri Dexter, Choir of Clare College, Cambridge, Micheal Laird, Tim Handley, Nicholas Parker, Liz Kenny, Jonathan Brown, Henry Purcell, William Carter, Andrew Manze, Robert Howes, Jenny Ward-Clarke, Marshall Marcus, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Ron Bryans, Baroque Brass Of London, Mark Bennet, Jan Schlapp having a BPM of 49 with a half-time of 24 BPM and a double-time of 98 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hear My Prayer, O Lord | Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jenny Ward - Clarke, Liz Kenny, Jonathan Brown, Henry Purcell, Jan Schlapp, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley | C Minor | 0 | 5A | 133 BPM | ||
Music for the Funeral of Queen Mary, Z. 860: Man That Is Born of a Woman | Henry Purcell, Baroque Brass Of London, Choir of Clare College, Cambridge, Timothy Brown | C Minor | 0 | 5A | 77 BPM | ||
Cantica Sacra: No. 16, Quem Vidistis, Pastores | Richard Dering, Timothy Brown | B♭ Minor | 0 | 3A | 65 BPM | ||
In furore iustissimae irae, RV 626: I. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 134 BPM | ||
Son of god mass ; Pax domini | James Whitbourn, Robert Tear, John Harle, Joby Burgess, John Reid, Timothy Brown, Choir of Clare College, Cambridge | F Major | 0 | 7B | 67 BPM | ||
Stabat Mater in F Minor: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown | A Major | 0 | 11B | 108 BPM | ||
Magnificat | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | E Minor | 1 | 9A | 84 BPM | ||
When David Heard | Thomas Tomkins, Choir of Clare College, Cambridge, Timothy Brown | C Major | 2 | 8B | 86 BPM | ||
How Are The Mighty Fallen | Timothy Brown, William Carter, Tim Handley, Nicholas Parker, Jan Schlapp, Jenny Ward - Clarke, Nicholas Parker, Robert Ramsey, Jonathan Brown, Marshall Marcus, Tim Handley, Choir of Clare College, Cambridge, Andrew Manze, Liz Kenny | B Minor | 0 | 10A | 173 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM |
Section: 0.5760996341705322
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