"When David Heard" by Thomas Tomkins, Choir of Clare College, Cambridge, Timothy Brown was released on July 1, 2009. With this song being about 5 minutes long, at 4:38, "When David Heard" by Thomas Tomkins, Choir of Clare College, Cambridge, Timothy Brown is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Choir of Clare College, Cambridge, Timothy Brown's "Lamentations" album is number 12 out of 13. When David Heard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When David Heard by Thomas Tomkins, Choir of Clare College, Cambridge, Timothy Brown to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Tallis: Sancte Deus - 2. Sancte Et Immortalis | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 134 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM |
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