Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum's 'Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus' came out on July 7, 2023. With Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Benedikt Kristjánsson, Sergey Malov, Ensemble Continuum's "Judas. Arias and Recitatives by Johann Sebastian Bach" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus by Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2. Notenbüchlein für Anna Magdalena Bach: I. No. 25, Bist Du bei mir, BWV 508 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Die güldene Sonne bringt Leben und Wonne | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 1 | 11B | 96 BPM | ||
O Ecclesia, BN 64 | Hildegard von Bingen, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Jesu meine Freude, BWV 227: Denn das Gesetz des Geistes | Johann Sebastian Bach, Ottawa Bach Choir, Lisette Canton, Jean-Christophe Lizotte, Reuven Rothman, Jonathan Oldengarm | E♭ Minor | 0 | 2A | 75 BPM | ||
Stjärnorna | Brahe Djäknar, Florakören, Ulf Långbacka | B Major | 2 | 1B | 170 BPM | ||
3 Sacred Hymns: No. 1, Ave Maria | Alfred Momotenko, Latvian Radio Choir, Sigvards Kļava | B Major | 3 | 1B | 96 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Romanzen und Balladen, Book 2, Op. 75: No. 3. Der traurige Jager | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 82 BPM |
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