"Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro" by Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra was released on 2003. Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro appears to be safe for all ages as it is not explicit. The song is number 5 out of 8 in Berlioz: Symphonie Fantastique by Hector Berlioz, Sir Thomas Beecham. In terms of popularity, Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro by Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Dies irae | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | B♭ Major | 1 | 6B | 139 BPM | ||
Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | ||
Symphony No. 2, Op. 9, "Antar": III. Allegro risoluto | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 0 | 11B | 71 BPM | ||
Les Troyens / Act 5: No.44 Duo et choeur: "Errante sur tes pas" - "Italie!" | Hector Berlioz, Jon Vickers, Josephine Veasey, Wandsworth School Boys Choir, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM |
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